The Wire

Over the past few weeks, I’ve had the pleasure of watching every single episode of the HBO series The Wire.

Comprising 60 episodes over five seasons, the series revolves around the drug trade in Baltimore, Maryland – largely focusing on the quite different views of the Baltimore Police Department and the city’s drug dealers.

It didn’t make a massive impact here in the UK, due to airing on the satellite/cable channel FX (most of the mainstream UK channels wouldn’t touch it because of the excess swearing and violence), but it has been gathering a cult audience over the past year or so from downloads and DVD sales.

The unconventional setting, the maverick directing, the psuedo-realistic acting and well-crafted scriptwriting helps the show weave its way through six years of complex storylines – all with a central theme of wire-tapping the Baltimore criminals at the heart of city’s drug trade with a view to prosecuting the kingpins (although, the “wire” metaphor stretches beyond the simple notion of phone-tapping).

But it doesn’t stop there.

Politics, corruption, interpersonal relationships, career ambitions, religion, immigration, unemployment, race-relations, inner-city social problems, housing, human trafficking, prostitution, murder, homelessness, education, poverty, gun crime, news reporting – and the failure of the criminal justice system to track down and punish the people responsible for polluting the city with drug crime (as well as those who protect and police them) all raise their heads at some point throughout the show, with each series set in a different aspect of the city (the street, the port, city hall, the school system, and the print news media).

From the intricate plotting, to the wealth of rich characters spanning the 60-odd hours (some 195 characters in all) ranging from the chronically-flawed homicide detective Jimmy McNulty to the crack-addicted street urchin Bubbles – it must surely rank as one of the best television shows of all time.

Season Five in particular takes the viewer in a direction like no other television programme I’ve ever seen before, and will probably never see again.

If you find yourself watching programmes like ER, CSI and Bones – you’re not only wasting your time, you’re missing out on the opportunity to watch quality television that will ultimately take its place in history.

Go now, and buy Season 1 on DVD right now – it’ll be the smartest purchase you make all year.

‘No doubt, tru dat.

Google and copyright

Back in 2003, I blogged about Google scraping websites and storing cache copies, which I felt was a breach of my copyright.

Subsequently, I changed the settings on The Copydesk so that Google can index my site, but not keep a copy.

However, it looks like I might be proven right in thinking Google’s practice is unlawful, with news that a Belgian newspaper company are to sue them for £39m in damages from Google for publishing and storing their content without paying or asking permission.

Sydney Pollack dies

The director Sydney Pollack has died of cancer, aged 73.

Most people will recognise him for his directing talent, including movies like ‘Tootsie’, ‘The Firm’ and ‘Out of Africa’, but he was also an accomplished actor, filling in when Harvey Keitel dropped out of Stanley Kubrick’s ‘Eyes Wide Shut’ and picking up small roles in movies and shows like ‘The Sopranos’ and ‘Will & Grace’.

Best telly ever?

Empire has produced a list of The Best TV Shows Ever.

The Simpsons is a pretty good number 1, but I would never have put Buffy at 2 or Friends at 7 (Friends simply can’t hold a light to Seinfeld, Fawlty Towers, The Office or Frasier).

Similarly, I would have thought The Wire would be further up the top 5, possibly closer to 1.

Apart from that, the top 10 is difficult to argue with, although maybe Star Trek, Star Trek: The Next Generation, Deep Space Nine, The Prisoner, Monty Python, Life on Mars, Only Fools and Horses, Doctor Who, Blackadder and Father Ted should be among the elite instead of drifting out of the list – or not showing up at all in the case of The Prisoner.

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